“Hoghe moves with economy and care, gently yet fiercely; every motion is pristine, inundated with dramatic import. Ueno is supple, mild, in a position to leap with abandon one minute also to explain delicate habits with their fingers the next.” – The Brand New Yorker
Raimund Hoghe is undoubtedly one of many pioneers of dance dramaturgy so that as an musician, is a vanguard that is true of party in European countries, challenging old-fashioned notions of this human body and beauty in dance and culture through works that are “concentrated exams of humanity”. His decade-long partnership with Pina Bausch can be referenced as a crucial collaboration between a choreographer and a party dramaturg, plus one which had a substantial effect on dance-making today.
For Hoghe, going onstage is trying out movie manufacturer Pasolini’s terms to “throw the physical human body in to the fight”. Revealing and doing together with own uncommon framework, Hoghe masterfully disrupts our problematic criteria of human body excellence which he thinks equate people to your status of design things. Beyond this statement of presence, the figures in the work are not just real and private, but unfold to become complex spaces that think on history and tradition.
The japanese dancer Takashi Ueno in Pas de Deux, Hoghe is joined onstage by one of his regular collaborators. A series of delicate interactions around quintessentially everyday objects of Japanese culture, imbuing them with layers of meaning with subtlety, humour and an eclectic profusion of jazz, classical music and poetry, Hoghe structures. Delicate and mild movements, marked by ritual and deep connection that is human increase right into a cathartic resonance of the time and beauty.
Bearing a title that alludes to virtuosity that is balletic this minimalist duet is alternatively a meditative discussion of motion between two contrasting real figures, and a thought-provoking discussion between these various web web internet sites of memory and history. This performance marks a unusual and very first look of Hoghe in Singapore.
About Raimund Hoghe Raimund Hoghe was created in Wuppertal and started their job by composing portraits of outsiders and superstars for the German regular magazine Die Zeit. They were later on put together in lot of publications. From 1980 to 1990 he worked as dramaturg for Pina Bausch’s Tanztheater Wuppertal, that also became the matter that is subject two more publications. Since 1989 he’s got been taking care of his or her own theater pieces for assorted dancers and actors. In 1992 he began the artist Luca Giacomo to his collaboration Schulte, who’s nevertheless their creative collaborator. In 1994 he produced their first solamente for himself, Meinwarts, which with the subsequent Chambre separee (1997) and Another Dream (2000) made a trilogy in the century that is 20th.
Hoghe often works well with television on tasks such as for example Lebenstraume (1994) and Der Buckel, their 1997 hour-long self portrait for WDR (western German Radio and tv). His publications have now been translated into a few languages in latin women dating which he has presented their shows all over European countries, along with North and south usa, Asia and Australia. He lives in Dusseldorf and contains been granted a few awards like the Deutscher Produzentenpreis fur Choreografie in 2001, the French Prix de la Critique in 2006 for Swan Lake, 4 functions (within the category «Best Foreign part»). Critics through the mag ballet-tanz awarded him «Dancer of the season» for 2008. Publications about their theater works had been posted in France, Germany, britain additionally the united states of america.